- #ADOBE CS3 MASTER COLLECTION REVIEW FOR MAC#
- #ADOBE CS3 MASTER COLLECTION REVIEW FULL#
- #ADOBE CS3 MASTER COLLECTION REVIEW CODE#
In an aesthetic nod to Apple’s OSX, the palettes open, close, and dock with an elegant sweep of the mouse. Adobe has redesigned their panels and palettes and made them consistent among many of the major component programs in CS3. Toward the same end, Adobe now supports scripting among InDesign, Flash, and Dreamweaver, as well as Illustrator and Photoshop. The Flash CS3 Pen tool, for instance, now looks and behaves like the one in Illustrator. InDesign, Illustrator, Photoshop, and Flash now all use the same interface with similar tools and options. Generally, Adobe has strived to better integrate its programs into one intuitive ensemble. “This is the biggest thing we’ve done in Flash since including video,” says Downey. Mozilla, Adobe says, will incorporate the language into the next release of Firefox-a major vote of confidence in the viability of open-source software.
#ADOBE CS3 MASTER COLLECTION REVIEW CODE#
(Another plus: Designers can now embed functions-such as buttons and progress bars-that once required coding.)Īdobe donated the AS3 source code to Mozilla, the open-source programming company behind the web browser Firefox. A designer can render an animation in Flash, then copy the motion in Action Script 3 and pass it on to the developer for tweaking. Adobe did this rewrite to support Action Script 3, a programming language based on XML acquired from Macromedia. Adobe’s most ambitious move focuses on Flash: “We rewrote the engine from scratch,” says Downey. This alone should reduce friction in the studio.
Flash CS3 imports Photoshop andIllustrator files, and InDesign files can be exported as XHTML for automatic formatting in Dreamweaver.
They had elaborate work-arounds for problems we didn’t even know were there.” First, Adobe lubricated the flow between programs. “We watched customers working in Illustrator, Flash,and Photoshop, and were amazed. “We sent teams out into the wild to see how people actually use our programs,” says Mike Downey, a product manager for Flash. Microsoft realized this and tackled the problem admirably in its Expression suite. As content continues to migrate from print to the web-and, increasingly, to mobile devices-it’s becoming more and more necessary that a design be automatically rendered in code. The common theme running throughoutthe package is streamlining the workflow, particularly in the relationship between designer and developer.
#ADOBE CS3 MASTER COLLECTION REVIEW FULL#
(The programs will also work on machines running the G4 processor.) Another point worth noting: This is the first full release of the suite since Adobe acquired Macromedia, the maker of Flash, a program so dominant that it is to rich media what Windows is to operating systems. This means designers can finally go out and spring for the speedy, dual-core Macs.
#ADOBE CS3 MASTER COLLECTION REVIEW FOR MAC#
The suite comes in both Mac and PC versions, but the big news for Mac users is that the majority of the CS3 programs boast native capability with Intel-based Apple computers. (For a tidy $2,499 you can pick up all 17 programs in the Adobe “Master Collection.”) As with previous iterations, Adobe is offering the suite in a variety of bundles, targeted at print design, web design, and film and video houses, respectively. Let’s get thebroad strokes out of the way first: CS3 includes 17 of Adobe’s programs, most of which have become the standard-issue toolbox for web, print, and mobile design. With Creative Suite 3 just released in April, the time has come to see what Adobe has prepared in the way of a counterpunch. In Print’s previous issue, I explored the pros, cons, and marketplace viability of Microsoft Expression Studio-Gates and Co.’s attempt to woo visual designers away from Adobe.
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